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| Affiliation | Nonpartisan |
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| Name | Dana Gioia |
| Address |
Santa Rosa, California , United States |
| Email | None |
| Website | None |
| Born |
December 24, 1950
(73 years)
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| Contributor | Thomas Walker |
| Last Modifed | Juan Croniqueur
Mar 10, 2024 01:43am |
| Tags |
Catholic -
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| Info | Michael Dana Gioia (born December 24, 1950) is an American poet and critic who retired early from his career as a corporate executive at General Foods to write full-time. From January 29, 2003, until January 22, 2009, he was chairman of the National Endowment for the Arts, the United States government's arts agency, and has worked to revitalize an organization that had suffered bitter controversies about the nature of grants to artists in the late 1980s and early 1990s. Gioia has sought to encourage jazz, which he calls the only uniquely American form of art, to promote reading and performance of William Shakespeare and to increase the number of Americans reading literature. Before taking the NEA post, Gioia was a resident of Santa Rosa, California, and before that, of Hastings-on-Hudson, New York.
Michael Dana Gioia—he does not use his first name and pronounces his surname "JOY-uh" — was born in Hawthorne, California, the son of Michael and Dorothy Gioia. He grew up in Hawthorne, "speaking Italian in a Mexican neighborhood," he said.[citation needed] His father was the son of immigrants from Sicily and his mother was a native Californian of Mexican heritage. He grew up amid a richness of languages: English, Italian, Spanish and the Latin of the Catholic church.
Gioia attended Junípero Serra High School in Gardena, California. He received his B.A. from Stanford University in 1973, an M.A. from Harvard University in 1975, and an M.B.A. from Stanford Business School in 1977. After college, he joined General Foods Corporation and served as vice-president of marketing from 1977 to 1992. He was on the team that invented Jell-O Jigglers.
In 1992, he quit to write full-time. But even when at General Foods he was writing, producing several books of poetry. He won the Frederick Bock Award for poetry in 1986. His 1991 poetry collection The Gods of Winter won the 1992 Poets' Prize. Gioia is classed as one of the "New Formalists", who write in traditional forms and have declared that a return to rhyme and more fixed meters is the new avant-garde.
From 1971 to 1973, Gioia was editor of Sequoia Magazine and then its poetry editor from 1975 to 1977. From 1977 to 1979, he was literary editor of Inquiry Magazine and served as its poetry editor from 1979 to 1983. For the academic years 1986 to 1989, he was a Visiting Writer at Wesleyan University.
He and his wife have had three sons. The first son, Michael Jasper, died in infancy. His two other sons are Michael Frederick ("Mike") and Theodore Jasper ("Ted") Gioia.
Dana Gioia is the older brother of jazz historian Ted Gioia.
Since becoming a full-time writer, Gioia also served as vice-president of the Poetry Society of America from 1992 and as music critic for San Francisco magazine from 1997. He also wrote the libretto of the opera Nosferatu (2001).
Gioia objects to how marginalized poetry has become in America. He believes that university English departments appropriated the field from the public:
The voluntary audience of serious contemporary poetry consists mainly of poets, would-be poets, and a few critics. Additionally, there is a slightly larger involuntary and ephemeral audience consisting of students who read contemporary poetry as assigned course work. In sociological terms, it is surely significant that most members of the poetry subculture are literally paid to read poetry: most established poets and critics now work for large educational institutions. Over the last half-century, literary bohemia had been replaced by an academic bureaucracy.[citation needed]
Better known as a critic than as a poet, he wrote a book about these issues, Can Poetry Matter? and lectured widely on his thesis, which provoked a spirited debate on the topic.
It was as a poet that Gioia first began to attract widespread attention in the early 1980s, with frequent appearances in The Hudson Review, Poetry, and The New Yorker. In the same period, he published a number of essays and book reviews. Both his poetry and his prose helped to establish him as one of the leading figures in the New Formalist movement, which emphasized a return to traditional poetic techniques such as rhyme, meter, and fixed form, and to narrative and non-autobiographical subject matter.
As a result, Daily Horoscope (1986), his first collection, was one of the most anticipated and widely discussed poetry volumes of its time. Its contents—like those of the two subsequent collections that Gioia has thus far published—range widely in form, length and theme: traditional forms and free verse; lyrics, meditations, and mid-length narratives; deeply personal poems and poems drawn from myth, history, and the other arts. Among its more notable—and widely reprinted—pieces are “California Hills in August,” “In Cheever Country,” and “The Sunday News.”
The Gods of Winter (1991) is in many ways a deeper and darker book than its predecessor. It contains “Planting a Sequoia,” his most direct engagement of the tragic loss of his infant son, as well as two long dramatic monologues, “Counting the Children,” in which an accountant has a disturbing interaction with a grotesque doll collection, and “The Homecoming,” whose narrator explains his motivations for committing murder and the effects that his violent acts have had upon him. Simultaneously published in Britain, it is one of the few American volumes ever chosen as the main selection of the U.K. Poetry Book Society.
Gioia’s third collection, Interrogations at Noon (2001) was the winner of the 2002 American Book Award. (It is surely no coincidence that each book’s title contains a temporal reference, given the importance of time and its passing as a theme in Gioia’s poetry.) Its varied contents include a suite of translations from the contemporary Italian poet Valerio Magrelli and two excerpts from Gioia’s translation of Seneca’s Hercules Furens, amid many original poems in which contemplative and occasionally wistful notes predominate, as in the concluding stanza of “Summer Storm”: “And memory insists on pining / For places it never went, / As if life would be happier / Just by being different.”
Gioia’s poems have appeared in The Norton Anthology of Poetry, The Oxford Book of American Poetry, and many other anthologies. They have been translated into French, German, Italian, Spanish, Russian, Romanian, Bulgarian, Chinese, and Arabic. His poetry has been set to music, in styles ranging from classical to jazz and rock, by—among others—Ned Rorem, Dave Brubeck, Paquito D’Rivera, and Alva Henderson; song cycles based on his poems have been composed by Stefania de Kenessey, Lori Laitman, and Paul Salerni. Gioia has also written the libretti for the operas Nosferatu (2001; music by Alva Henderson) and Tony Caruso’s Last Broadcast (2005; music by Paul Salerni).
In 2005, Dana Gioia received the John Ciardi Award for Lifetime Achievement in Poetry.
Gioia was President George W. Bush's second choice to lead the NEA. The first, composer Michael P. Hammond, died only a week after taking office as the NEA's eighth chairman in January 2002. Gioia said, "I found an agency that was demoralized, defensive, and unconfident. It had been under constant assault for about fifteen years and it was suffering from the institutional version of battered child syndrome," said Gioia. "I don't think the NEA has done a very good job of serving America," he declared.
By bringing a new visibility to the agency and wooing Congressional Republicans, Gioia gained a sizeable increase in his agency's budget. "Dana is a superb politician. He knows how to talk to Congress and to the arts community, and to state and federal agencies and to the complex, gigantic, fire-breathing beast called the White House," said David Gelernter of Yale University.
At the NEA, Gioia created new programs such as Shakespeare in American Communities, bringing the Bard to small towns; and NEA Jazz Masters, promoting jazz music. The NEA presents an annual award for jazz which Gioia hopes will be the jazz equivalent of a Pulitzer Prize. "We have a generation of Americans growing up who have never been to the theater, the symphony, opera, dance, who have never heard fine jazz, and who increasingly don't read," said Gioia in justifying his efforts.
Gioia is not without critics, however. Many Congressmen believe the NEA should be abolished because it exceeds their view of the Constitutional functions of government. Some in the arts community fault the NEA for abandoning grants to individual artists, which were terminated after controversy over Robert Mapplethorpe, Andres Serrano, and others. Gioia responded, "Fellowships in prose (fiction and creative nonfiction) or poetry are available to published creative writers of exceptional talent." Gioia's new NEA programs, for which NEA has sought corporate and foundation support, worry other arts organizations because the NEA is competing with them for funding.
Gioia has also sought to promote reading among Americans. In July 2004 the NEA released a study showing how little time Americans were dedicating to literature. In 2005 he began what he called the "Big Read" program, seeking to get Americans to read serious literature, akin to the city-wide reading programs undertaken by several American cities such as Seattle, Cincinnati and Chicago.
Gioia is keen to do anything that can make the arts more available to the public. "Arts are not a luxury," he says.
In 2007, Gioia was named the 2007 commencement speaker for his alma mater, Stanford University. His selection was a source of controversy between the class of 2007 and the administration. In his commencement address, he lamented the fallout from the dominance of celebrity and fame as societal values: ". . . we live in a culture that barely acknowledges and rarely celebrates the arts or artists . . . When virtually all of a culture's celebrated figures are in sports or entertainment, how few possible role models we offer the young . . . There are so many other ways to lead a successful and meaningful life that are not denominated by money or fame. Adult life begins in a child's imagination, and we've relinquished that imagination to the marketplace."
In January 2009, Gioia was the Schwartz visiting fellow at the Pomfret School in Pomfret, Connecticut.
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